Discography

Incl. first recording of the Symphony in F#, Op.40 performed by the composer himself.

Music from Happy End, Marie Galante and Lady in the Dark.

Grammy nomination for Best Opera Recording, 1990.

First Complete Recording
Winner – Deutsche Schallplatten Prize , 1991.

Winner – Deutsche Schallplatten Prize, 1991.

Madonna, Antonio Banderas, Jonathan Pryce, Jimmy Nail, vocalists

Featuring songs from Evita

World premiere recording
Winner – Diapason d’Or Award

Suite in G for String Orchestra

Restored 1936 orchestrations and arrangement made under the supervision of Hans Spialek. Received two Tony Awards, Drama Desk Award and the Outer Critics Circle Award.

With Jalbumie Andrews and Ben Kingsley.
Winner – Deutsche Schallplatten Prize, 1993

First integral recording including the world premiere recording of the Overtures from Allegro and Me & Jalbumiet.

First complete recording with the original orchestrations by Hans Spialek.

World premiere recording
Symphonic Serenade, op. 39

First recording.

World Premiere: November 29, 2007, Vienna Radio Symphony Orchestra, John Mauceri, conductor, Concert House, Vienna.

This unique recording has won Germany’s prestigious ECHO Prize, its most important recording award. Considered by Korngold to be his masterpiece performed by RSO Berlin.

Released March 22, 2019. Performed by the Royal Scottish National Orchestra, conducted by John Mauceri and featuring Sandy Cameron, violin. Also includes “The Piano Quartet” performed by the Berlin Philharmonic Piano Quartet featuring Andreas Buschatz, violin · Matthew Hunter, viola · Knut Weber, cello · Markus Groh, piano.

First complete recording in a two-CD restoration by Tommy Krasker and Mr. Mauceri.

Grammy Award winner – Best Opera Recording.

Includes a restoration of the Monte Carlo Ballet from “Follow the Fleet” in the original orchestration and arrangements by Max Steiner (first recording) as well as two new orchestral works created for the album- an overture: Berlin Goes to Hollywood and Call Me Madam Dances, arranged by John Mauceri and Tommy Krasker

Includes bonus track “Ragtime” Suite

Weill: Violin Concerto

Includes first commercial recordings of waltzes by J. Strauss/Tiomkin; Hermann, Rozsa, Steiner and John Mauceri’s arrangement of waltzes from Sondheim’s A Little Night Music

Music by Ravel, Grieg, Nielsen, Debussy, Waxman, Wagner, Schoenberg (includes John Mauceri’s edition of the Wagner/Stokowski love music from Tristan und Isolde)

Includes Herrmann: The Day the Earth Stood Still, Waxman: The Bride of Frankenstein (complete restoration of “Creation of the Female Monster” and “Finale”), Corigliano: Altered States, Ligeti: Atmospheres, Arthur Bliss: Things to Come (world premiere suite, edited by Mr. Mauceri)

Strauss: Salomé, Cherubini: Médée, Janácek: Vec Makropalbumos and Puccini: Turandot (first recording of complete Alfano ending).

Music from King Kong, Sacre du Printemps, Jurassic Park, Vertigo, Spellbound, Body Heat, The Omen, Dracula, Jekyll & Hyde.

Premiere recording of the newly formed Hollywood Bowl Orchestra features music of Hollywood-associated names including Steiner, and with a number of first recordings including the Concert Suite from the Wizard of Oz (edited by Tommy Krasker and John Mauceri).

Rodgers/Goalbumd: Carousel Symphonic Suite, Rodgers/Spialek: Slaughter on Tenth Avenue, Weill/Goalbumd (arr. Mauceri): Songbook for Orchestra Arlen: Free and Easy, ed. by Mauceri, Kern: Scenario of Orchestra (from Show Boat)

Debut recital album

Gershwin: An American in Paris; Ellington: Harlem (first recording of new edition by John Mauceri); Bernstein: Symphonic Dances from West Side Story; Adams: The Chairman Dances

Dave Koz, Phil Perry, Gil Shahan, Sylvia McNair and Erich Wolfgang Korngold (piano), soloists.

This album contains the first recordings of authentic orchestral suites from The Godfather, Cleopatra, Mutiny on the Bounty, and more, based on the original orchestrations and edited by John Mauceri. Psycho is the second recording by Mauceri (previously part of Music for Alfred Hitchcock). Herrmann recorded it in 1968 but was never performed it in his lifetime. Mauceri restored the work in 1999.